Wednesday, March 30, 2005

"Crash" a new movie dramatizing urban reality

The article featured below was posted on the They have good information there. Feel free to check it out now and then. I bought one of their ebooks about screenwriting and it was very good and very affordable so much that I had it bound at kinkos so that I'll always have it as a screenwriting reference. [And no, no one's paying me to say good things about them but I'm always open to free gifts especially if they relate to would be good because it gets very expensive printing out all those pages. :)]

CRASH Dramatizes Urban Reality

By Glenn Bossik 3/28/05

Writer/Director Paul Haggis based his upcoming film, CRASH, on a personal life experience in which he "was car-jacked at gunpoint" in Los Angeles, California. That experience inspired the screenplay for CRASH, which he co-wrote with Bobby Moresco.

In the story, the lives of several racially diverse characters in Los Angeles collide with each other during a 36-hour time period before Christmas. Among the characters are a Brentwood housewife and her husband, a district attorney; a Persian store owner; two police detectives; an African-American TV director and his wife; a Mexican locksmith; two car-jackers; a rookie cop; and a Korean couple.

At the heart of the story is a car-jacking. Actress Sandra Bullock plays the character, Jean Cabot, a Brentwood housewife who is a victim of the car-jacking.

Bullock explains that Jean lives in a protected world. "[Jean is] an example of someone who has really built her life around things that are incredibly trivial and empty," she says.

Bullock feels that people don't understand what the real world is like. "Our reality is so detached that I think it requires a catastrophic event to make us either feel or acknowledge what's actually going on," she adds.

According to co-writer/producer Bobby Moresco, people don't always come in contact with each other in Los Angeles because they use cars for transportation. Producer Cathy Schulman agrees. "We protect ourselves in our cars It's highly simplistic, but surprisingly true," she says.

CRASH shows how fragile our feelings of safety are. "None of the characters escape unscathed," says filmmaker Paul Haggis

The characters in CRASH deal with racial problems, and Haggis's co-writer, Bobby Moresco, defines racism as a societal problem. "I think that on some level everybody in America is touched by the question of race and racism," he says.

When CRASH debuts in movie theaters on May 6, 2005, audiences will see how racism has compromised our society.

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